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	<title>The Lit Life</title>
	<updated>2008-07-25T09:07:29Z</updated>
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	<entry>
		<title>What Am I Saving These 2 X 4s For, Anyway?</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/24/what-am-i-saving-these-2-x-4s-for-anyway.aspx" />
		<id>tag:thelitlife.com,2008-07-24:73d7499f-0933-4eb6-be97-33908ffb9597</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-07-24T11:52:44Z</updated>
		<published>2008-07-24T11:31:00Z</published>
		<content type="html"><![CDATA[I came out of the shed at the cabin yesterday hauling a couple of long 2 X 4s and a saw. I had slid them out of the tidy lumber loft my late father had created in his cherished outbuilding. I had stepped around any number of gas cans, fishing nets, abandoned boat chairs, and ancient spider webbing to get my boards. I had a little project in mind: steps leading down the bank to the swimming area.&nbsp;As I lay them out on the deck, my mom walked up and pointed to the cool blonde lengths of wood. "That's what you are going to use?" she said, "If you'd asked me, I could have found something a little older...less nice..."<BR><BR>"Ma," I said, picking up&nbsp;the saw. "Dad's been dead seven years. He's not going to care what we take out of the shed." <BR><BR>She shrugged, knowing I was right. My air of Zen-like moral superiority was soon eclipsed, however, by my complete inability to handle a saw. My 70-year-old mother had to cut the boards for me. <BR><BR>Later, knee deep in the water with nails between my teeth and my hammer-pounding ringing out over the water, I re-experienced the ultimate, horrible, wonderful freedom of loss. I never used to do these kinds of projects at the cabin. My dad and brothers could--and did--build houses, wire rooms for electricity, dig wells. Whenever I tried to get involved, the "you're not doing it right"s and "here, let me have it"s built up to a point that I left the projects alone and retreated to the hammock with Dostoevsky or an Archie comic book.&nbsp;But now that&nbsp;almost everyone else is gone, my mom (a tough tractor-driving, stump-hauling farm girl in her day) is getting on, and my husband's crazy work schedule keep him on the road most of our vacation, it's up to me to build steps down to the lake or see if the old mower will work.&nbsp;<BR><BR>"I don't think this is how you're supposed to do this," I said to myself as I could see the nail&nbsp;turning slightly in the board. I looked up. No one was around. I kept pounding.<BR><BR>And now we have steps to the lake.]]></content>
	</entry>
	<entry>
		<title>Greetings from the Land of Sky Blue Water</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/22/greetings-from-the-land-of-sky-blue-water.aspx" />
		<id>tag:thelitlife.com,2008-07-22:ddb2fea0-93ec-4bfc-b763-e337ecbcdc5b</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-07-22T14:34:29Z</updated>
		<published>2008-07-22T13:53:00Z</published>
		<content type="html"><![CDATA[After a bracing two day drive across the rust belt, under Chicago's shoulders, and into the loon-littered blue-green carpet of Minnesota, I have arrived within the bosom of the Central Minnesotan region that will always be my truest home; the place that begot me; the place where I should (at least on paper) belong. From the golden coat of deer darting in and out of the woods to the obsequious politeness delivered in the private accent made public in the movie "Fargo", coming back home is always jarring, sweet, welcome, and uncomfortable. <BR><BR>When I lived in Minneapolis for nearly twenty of my adult years, I still periodically came&nbsp;back to my hometown--or to our cabin fifteen miles northeast of town--to visit my family. But the last two summers I've come inching back, not from the sophisticated-yet-still-Lutheran Minneapolis, but from DC. This year I've even come&nbsp;in my vehicle bearing DC license plates blazened with the message "TAXATION WITHOUT REPRESENTATION"; a sentiment that seems proud and defiant back in the district, but out in the middle of the pines and prairie seems weirdly confrontational over an issue the locals didn't realize they were oppressing me with.<BR><BR>Due to my dark humor, my intellectual pursuits, my interest in controversy and the underside of life as well as my&nbsp;dislike of the "normal" sartorial custom (jeans and a cutsie sweatshirt; hair highlighted and blown into submission), I've never really fit in here. As soon as I&nbsp;graduated high&nbsp;school and&nbsp;moved down to "the cities" for college, I was an outsider: not unwelcome or unliked, but an outsider nonetheless.&nbsp;"No thanks, I'm a vegetarian" elicits the expected eyerolls. And, since I've become the primary user of the family cabin, all of the motorcraft and fishing gear of ours that used to be used all summer has been sold or stored. When I go out in the rowboat, I can feel the burn of curious eyes (shaded by bait store caps)&nbsp;bore into me as I swish along in the twelve-foot Lund on my way to look for turtles napping on lily pads.&nbsp;<BR><BR>It would be a lot easier to shoulder this alienation if I was fully a City Girl. But I'm not, of course. In DC, my backstory is unusual if not downright curious. I'm rural in a way that people don't seem much of anymore: not from an outer-ring suburb or a satellite city, but raised in an honest-to-god railroad town smack dab in farm country in a state that thinks fishing is the closest any human can ever come to divine transcendence. In DC, I'm quirky, polite to strangers (except Laura Ingraham, of course) and friendly; here, the same manners seem standoffish and impersonal...I can't seem&nbsp; to ever find the balance.<BR><BR>So think of me the next two weeks at the cabin. I am accompanied by a sackful of fall literature and a sincere craving to reconnect with the tall grasses, the dock, and the version of myself that took all of these things for granted. But, of course, I'll also be driving twenty miles to Brainerd to search for tofu to throw on the grill and serve with peanut sauce. <BR><BR>]]></content>
	</entry>
	<entry>
		<title>Review: "No One Tells Everything" by Rae Meadows</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/17/review-no-one-tells-everything-by-rae-meadows.aspx" />
		<id>tag:thelitlife.com,2008-07-17:68beeb26-654d-42e2-9019-60121c62b4fe</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Reviews" />
		<updated>2008-07-17T21:02:02Z</updated>
		<published>2008-07-17T20:02:00Z</published>
		<content type="html"><![CDATA[Is there really cold, darkness in the heart of a murderer or&nbsp;can a man who knifes a hole in a woman's heart be a sensitive, hurt soul with really, really bad impulse control? Is there an impenetrable wall between the minds of killers and non-killers or, if we look uncomfortably close, is the animal instinct to lash out present in all humans; just meted out to different degrees?<BR><BR>Rae Meadows second novel, "No One Tells Everything" has me contemplated all these&nbsp;creepy deep thoughts tonight as well as savoring the mix of suspense, angst, and familial torment in this story of two lost souls who recognize each other. <BR><BR>Grace is a 35-year-old copy editor in New York at a second-rate weekly magazine. She lives alone, was recently dumped by a married professor, and spends her evenings pouring white wine down her gullet at one of those comfortable, depressing neighborhood places called "Chances". When a New Jersey college student, Charles,&nbsp;is arrested for the gruesome murder of a pretty young woman he was acquainted with, something in his outcast face speaks to Grace's own isolation. Her father's stroke brings her home to suburban Cleveland where she takes the opportunity to both explore her continuing torment over her sister's fatal childhood accident as well as snoop around the nearby community where Charles grew up. Believing Charles to be misunderstood and non-culpable if not downright innocent, Grace retraces the lost boy's steps from ignored overprivileged high schooler to exploited and desperate college student. Grace begins communicating with Charles directly. She slips deeper into drinking, torments her parents for the cool, distant way they raised her and examines her own role in the accident that claimed her sister, the favored child's, life. <BR><BR>Meadows has a keen eye for the squalor of the drinking life. Here's Grace coming to after a drunken pick-up at a strip mall Chinese restaurant. "The phone rings and rings until finally it stops. Grace rolls over slowly--her brain feels like it is floating loosely in her head. She is naked, except for her socks and her watch, and she is alone. It is three a.m. The bedside light exposes an empty bottle of Hennessey on the floor near her bra and inside-out jeans. Panic gives way to regret, and then to shame. She throws up, first in the bed, and then again in the bathroom sink. There's a condom floating in the toilet. The mirror shows someone haggard and green, worn out. She can't remember much after arriving in the room." (p211)<BR><BR><BR>The weaknesses of "No One Tells Everything" lie in the convenience of&nbsp;one of the plot contrivances. Brian, Grace's boss, covers for her when she keeps blowing off work. We are to believe that this sweet younger man continues to excuse&nbsp;Grace's increasingly offensive behavior because he has developed feelings for her after an office party make-out...oh, and also because she edits copy super fast. It strains credibility when Brian's&nbsp;attraction to&nbsp;Grace grows after she gets so drunk she has to crawl up his stairs. Meadows does&nbsp;too good a job of painting Grace's&nbsp;unpleasant condition; Bryan's--little more than an acquaintance, after all--would in a more realistic rendering be repulsed.<BR><BR>But outside of this non-fatal flaw, "No One Tells Everything" is a deeply moving, deeply satisfying novel. And I really loved the character of Grace. She's real in a way I don't often read: she's broken like an ugly gash in an expensive coffee table; she's too far gone to be remade by hand-holding puppy love or a tenuous truce with her parents. After a climax in which both Grace and Charles are purged of their deepest guilt, "No One Tells Everything" finds an emotional release that at once brings a sense of closure to a troubling story but also leaves behind a sense that everything is really, really not all right.]]></content>
	</entry>
	<entry>
		<title>Race and the City--Part Two: Middle Age Soul Edition</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/15/race-and-the-citypart-two-middle-age-soul-edition.aspx" />
		<id>tag:thelitlife.com,2008-07-15:75f78ae4-ff3b-452b-b3ca-728ef380a1a8</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-07-15T22:53:53Z</updated>
		<published>2008-07-15T17:06:00Z</published>
		<content type="html"><![CDATA[Over twenty years ago,&nbsp;a couple of&nbsp;recent grads of the University of California, Santa Barbara moved to the DC area to begin what would become two separate lives of lefty do-gooder-ism: hunger activism, Peace Corps, that sort of thing. For&nbsp;one weekend's entertainment, they saw ads for Soul Fest at RFK. Being California boys who came of age in the 1970s with KSOL radio mixed with Boz Scaggs concerts mixed with&nbsp;slow dancing with girls&nbsp;to&nbsp;"Color My World"&nbsp;mixed with singing along to Earth, Wind and Fire, their only reaction to something called&nbsp;"Soul Fest" was: Cool; let's go. When they got there, they were stunned to find they were the Only. White. People. Do-Gooder Number One, now serving as Mr. Cherie, expressed his West Coast attitude that day by donning an unfortunate ensemble of&nbsp;Hawaiian shirt and a cowboy hat. <BR><BR>What's changed since then? Mr. Cherie and I went to the Erykah Badu concert at DAR Constitution Hall two months ago; it was heavenly. The&nbsp;Roots opened and tore the&nbsp;place up. Then&nbsp;the mystical, confounding, headliner came on with her trademark soul/funk/jazz. &nbsp;When we had seen Ms. Badu in Minneapolis about five years ago, the audience was split fairly evenly,&nbsp; 50/50 between whites and blacks. At DAR in May? Not remotely close. I estimated the audience was 10 percent white; Mr. Cherie says less than 5 percent. Oh well, we thought at the time: The&nbsp;greater size of the African American population in the DC area as compared to Minneapolis explains the difference. Right?<BR><BR>Today, as I was listening to the new&nbsp;Erykah CD, the sheer wrongness of my math occurred to me. Badu played the State Theater in Minneapolis, a venue roughly the same size as DAR and both were filled for the concerts I attended.&nbsp;I did a little math research. The State Theater has 2,163 seats; so we can figure the audience at the Minneapolis Badu concert was about 1,000 black people and 1,000 white people. DAR Constitution Hall has 3,702 seats; even going with the higher estimate of 10 percent, that's 370 white people at a concert of a popular, unusual, genre-defying,&nbsp;critics-love-her singer.&nbsp;We can say there are fewer black people in Minneapolis; stipulated, OK?&nbsp;But the rest of the Minneapolis Badu tickets weren't waiting around until concert day to be given&nbsp;away outside a hockey game; they were snapped up. And in DC? Where 700 (really, probably more like a thousand) fewer white people showed up? Did the representative sample of white people just happen to&nbsp;forget the web address for Ticketmaster that day?&nbsp;<BR><BR>Maybe these&nbsp;concert stories say nothing about race in DC; maybe they are simply too anecdotal to count as statistical research. Or maybe they illustrate a kind of generations-old cultural segregation in DC that surpasses even the continuing&nbsp;We're-in-Oakland-You're-in-Berkeley cultural segregation still sputtering on in the rest of the country. I'm no social scientist, but I certainly felt the hot stinging of my metaphorical Hawaiian hairshirt as I listened to Erykah lilt softly "how good it is..."<BR><BR>Oh, and my earlier <A href="http://thelitlife.com/2008/06/06/race-and-the-city.aspx">entry</A> fretting that our housing hunt might land us in Columbia Heights, DC (Where the white people left with their tails between their legs after the 68 riots and are now returning with their yoga mats under their arms)? Are-we-gentrifier panic deferred: We&nbsp;landed just west of there, in Mount Pleasant, which currently doesn't have a reputation as a&nbsp;staging ground&nbsp;for <A href="http://dcist.com/2007/05/29/rock_throwing_o.php">nut-punching.</A>&nbsp;But we'll keep the Hawaiian shirts in the basement anyway; that's a win-win decision.<BR>]]></content>
	</entry>
	<entry>
		<title>Review: "I'd Like" by Amanda Michalopoulou (And My New Commitment to Gratuitous Sex)</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/09/reviewed-id-like-by-amanda.aspx" />
		<id>tag:thelitlife.com,2008-07-09:444797ad-f624-4fac-96c2-bbe8adb1506e</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Reviews" />
		<updated>2008-07-10T15:28:15Z</updated>
		<published>2008-07-09T19:46:00Z</published>
		<content type="html"><![CDATA[This spare, graceful,&nbsp;bundle of stories from Greek writer Michalopoulou (and translated by Karen Emmerich)does&nbsp;what most American short story collections don't:&nbsp;make each&nbsp;story build and play off the others without the sense of being a haphazard almost-novel. Some of the stories are refreshingly short; Michalopoulou&nbsp; introduces a tantalizing "what if" and that coincidence or possibility is the entirety of the story. In "Dad and Childhood" a sensitive little girl imagines she talks to the adult version of herself. This is a pretty standard writerly conceit; the imaginative child. But Michalopoulou brings the story around in a stunning way that shocks in a reality-warping way. M Michalopoulou deftly pulls the rug out on the reader many times in these stories.<BR><BR>There are characters with the same name in each story and they may possibly be the same people--but maybe not. The "maybe not" provides a sense that there is meaning just out of the reader's grasp. This intellectual hunt keeps the mind whirring in a way that redefines the experience of reading a short story collection.<BR><BR>Michalopoulou's prose style is simple and direct. Here's a passage I like from the story "Pointe" where a mother tries on the toe shoes that have been hurting her daughter's feet. <BR><BR><EM>First she put on the protective nylon socks, which were stained with dried blood and smelled of girlish sweat. From a distance the pointe shoes looked like huge sugared almonds, but up close they were dirty and very hard at the tips, as if something were living there, something evil and embalmed.<BR></EM><BR>Michalopoulou also holds over imagery from story to story for no other reason, seemingly, except to do it. Almond blossoms appear in many contexts, for example, as does&nbsp;the sexual practice of hair pulling.<BR><BR>Oh, which reminds me. I've made a new vow at The Lit Life: Every book I review for you that contains graphic sexuality will have some of that sexuality excerpted here. (You don't get that from Laura Miller or Michiko Kakutani). Why? Because literary fiction is rife with groping and insertions and such, but mainstream book reviews gloss over it. I, on the other hand, wallow in it.<BR><BR>Today's fictive fun, courtesy of Amanda Michalopoulou's story "Pointe" (which, though it starts promisingly subversive, cops out with a sappy Ozzie and Harriet twist at the end):<BR><BR><EM>"Now turn around. That's it!"<BR><BR>The man gave her a tender slap and lifted her hips back up into the position he preferred. She liked it, too, and stretched like a cat before forming a table of flesh with her back.<BR><BR>"Now you're going to feel something hot, then it'll get cold," the man murmured.<BR><BR>"I've had sex before," she answered.<BR><BR>"Not with me."<BR><BR>"You like to talk while you do it, huh?"<BR><BR></EM>Ahh...now that's art.]]></content>
	</entry>
	<entry>
		<title>Damn Those Authors and Their "Filler Words"</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/08/damn-those-authors-and-their-filler-words.aspx" />
		<id>tag:thelitlife.com,2008-07-08:c0752906-43bd-462f-a763-c296aa554053</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Lit Crit" />
		<updated>2008-07-08T21:23:10Z</updated>
		<published>2008-07-08T21:03:00Z</published>
		<content type="html"><![CDATA[A few weeks back, I was waiting in line for a <A href="http://thelitlife.com/2008/06/03/a-blowup-doll-with-no-orifice-isnt-a-sex-toy.aspx">Chuck Palahniuk reading.</A>&nbsp;I was impressed by the moxie of a group of gorilla book pushers handing out some kind of self-published novella/weirdo screed called "On a Hill They Call Capital" by Matt Carson&nbsp;Why not? My friend, Liam, and I said; seems as good a way as any to get attention.<BR><BR>I can honestly say I've read worse novella/weirdo screeds than "On a Hill They Call Capital". If you read one sloppy, 133-page narrative this week about a group of Virginia rednecks taking hostages to call attention to their complaints about the government, it might as well be "On a Hill They Call Capital."<BR><BR>I check to see if this little gem is on Amazon,&nbsp;and of course <A href="http://www.amazon.com/Hill-They-Capital-Revolution-Coming/dp/1604028548">it is.</A>&nbsp;The customer reviews for said creepy novella include one by a certain "S. Pugh" of West Virginia whose words of praise include the following Deep Thoughts: <BR><BR>"This book is fast moving and keeps your attention. Most books I read contain what I refer to as "filler words". Basically, areas in a story that are beat to death with meaningless description. I have developed a process of scan reading that enables me to filter out these areas so that I may enjoy the read. Not a problem with this book! You skip a page and you miss a lot. It is fast paced, keeps your attention, and tells a story that fits with this day and age."<BR>&nbsp;<BR>So that's the problem with modern literature: Words!<BR><BR>Tomorrow I have a few hours set aside to work on my novel (at Tryst, of course, assuming I'm not accosted by a <A href="http://thelitlife.com/2008/07/01/the-day-i-was-pointlessly-jack-assy-for-fox-news.aspx">tiny, right-wing pain-in-my-ass</A>). As I attempt to shape my thoughts, I'll remember the wisdom of S. Pugh and try not to cloud the page with the kind of meaningless description that makes hacks like Ernest Hemingway and Isabel Allende utterly unreadable.]]></content>
	</entry>
	<entry>
		<title>Review: "The Boat" by Nam Lee</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/03/review-the-boat-by-nam-lee.aspx" />
		<id>tag:thelitlife.com,2008-07-03:7939a8fa-8616-430a-80b9-3fb2fc9e464e</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Reviews" />
		<updated>2008-07-03T12:32:18Z</updated>
		<published>2008-07-03T10:54:00Z</published>
		<content type="html"><![CDATA[This debut collection of stories came out a few weeks back amid much fervent praise. Two of the stories derive from the author's experience as a child of Vietnamese immigrants, but the others in the collection run the gamut from the daily struggles of a Colombian teen hit man to a young man in an English sea town battling the town bully as he deals with his mother's multiple sclerosis. The stories are crafted with care (and time, too; notice the author thanks grant organizations and a writer's colony in his acknowledgments) and are at times gentle and at others, rightly disturbing. The title story, in which we relive the harrowing human suffering endured by post-war Vietnamese emigrants aboard a leaky and lost boat, is particularly descriptive. Yet, I never warmed to this collection; I enjoyed reading it but was never engaged with the characters.&nbsp;I certainly recognize the intelligent&nbsp;beauty&nbsp;in Nam Le's writing, but&nbsp;I&nbsp;read it as&nbsp;a studied elegance; a hollow grace. The stories in "The Boat" are deep, thoughtful, and end in the kind of ambivalent gravity that's the standard in American short story writing.&nbsp;<BR><BR>Perhaps that's the problem: "The Boat" feels like something I've seen many times before; a bright young man (yes, this exercise usually involves a young man) with a knack for writing comes out of the Iowa Writer's Workshop with a bunch of dark stories written in artfully--but not outrageously experimental prose--about Serious Issues and we are told we are supposed to be impressed.<BR><BR>So...am I impressed? <BR><BR>I'll say Nam Le is clearly talented. But, with the exception of the title story, his story ideas--even considering the far-ranging locales--are a little flat. (The opening story's subject, a child of Vietnamese immigrants at the Iowa Writer's Workshop is too irritating to even address). <BR><BR>So the literary world has tossed this smart young man at us and told us to worship him. Hmmm. Write a full novel, Nam Le, then I'll decide. The short-story-collection-out-of-the-Iowa-workshop is just too tired a template to get a real feel for a writer's scope and abilities.]]></content>
	</entry>
	<entry>
		<title>The Day I Was Pointlessly Jack Ass-y for Fox News</title>
		<link rel="alternate" href="http://thelitlife.com/2008/07/01/the-day-i-was-pointlessly-jack-assy-for-fox-news.aspx" />
		<id>tag:thelitlife.com,2008-07-01:e3a4f31c-ad76-4f6e-a7ae-48e82dc9c336</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-07-01T20:10:18Z</updated>
		<published>2008-07-01T19:47:00Z</published>
		<content type="html"><![CDATA[So, here it is: Me growling at Fox News' Laura Ingraham like I'm a bear poked with a stick. For those of you who don't know me, I'm the woman in the black and white t-shirt with the glasses and the inability to play along with a stupid news show gag.<BR><BR>For the record, I had just finished the blog entry about "The Summer of Naked Swim Parties" below and was surfing Craigslist for a new apartment. <BR><BR>The link: <A href="http://www.foxnews.com/video/index.html?playerId=videolandingpage&amp;streamingFormat=FLASH&amp;referralObject=1799451&amp;referralPlaylistId=search|typing%20vs%2E%20talking">http://www.foxnews.com/video/index.html?playerId=videolandingpage&amp;streamingFormat=FLASH&amp;referralObject=1799451&amp;referralPlaylistId=search|typing%20vs%2E%20talking</A>]]></content>
	</entry>
	<entry>
		<title>What Could I Write To Get Jeff Bezos To Send Me a Free Kindle?</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/29/what-could-i-write-about-the-kindel-to-get-jeff-bezos-to-send-me-a-free-one.aspx" />
		<id>tag:thelitlife.com,2008-06-29:5c16818e-8050-4254-b34e-11d7ef30257e</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Living La Vida Lit" />
		<updated>2008-06-29T21:33:18Z</updated>
		<published>2008-06-29T19:30:00Z</published>
		<content type="html"><![CDATA[I worked at a cool restaurant a couple of years ago where the three owners prided themselves on the fact they didn't have a microwave anywhere in the kitchen. No warmed-over crap here, they proudly declared. But then the chef introduced a new round of desserts and one of the&nbsp;dolces&nbsp;was a chocolate cake with&nbsp;saucy accoutrements and, with their teeth gritted, the owners installed a small microwave at the servers' station so we could heat up the choco-licious slices of cake. So ingrained was their we're-to-cool-to-reheat attitude that we were given stern warnings that nothing, NOTHING!except specifically approved desserts were to be inserted in that nondescript little white soul-sucking machine. Customer complains her pasta is cold? Send it back to the line cooks to reheat over a flame in a saute pan. They believed that no microwaved savory food line was decisively drawn, but it was amazing how the microwave kept drawing suggested uses into itself. "Is it OK if I just reheat this soup?" "This guy's got a cold and he likes his lemonade warm, should I just put it in the microwave?" <BR><BR>That aversion to an insidious and sterile cooking method came to my mind when I was listening to public radio last week and Jeff Bezos, Amazon's founder, was talking about his company's fairly new reading device, the Kindle. The paperless reading device has been kicking around for a few years now, but most tech folks say the Kindle is the first electronic reader designed in a user friendly-enough way to make it as pleasurable as reading a book.<BR><BR>Now, for some time, the literary community has been treating electronic books as the culinary world treats microwaves: a cheapened, dumbed-down version of something that is meant to be tactile and soulful. But as I listened to Bezos bleat on, for the first time I felt myself jumping out of the paper-books-are-life-itself boat. The pleasures of a printed newspaper for me&nbsp;are, after all,&nbsp;fading quickly as technology and graphic inventiveness make the interface of most online news sites colorful, imaginative, and three-dimensional.&nbsp; Until now, I'd been visualizing electronic readers as something like a handheld teletype machines: plain, unembellished&nbsp;text on an eye-gouging white background. But looking at the amazon.com demo, it looks more like a computer screen. I love reading off a computer screen.<BR><BR>I want a Kindle.<BR><BR>But it's $359.<BR><BR>As a book reviewer, I could write it off as a work expense. But that doesn't help me until next year.<BR><BR>I want a Kindle. ]]></content>
	</entry>
	<entry>
		<title>If You Can't Hook Me by Page 100, I Don't Know What to Tell You</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/25/if-you-cant-hook-me-by-page-100-i-dont-know-what-to-tell-you.aspx" />
		<id>tag:thelitlife.com,2008-06-25:75785562-7d07-405a-b964-506399959edc</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Previews" />
		<updated>2008-06-26T14:02:57Z</updated>
		<published>2008-06-25T09:41:00Z</published>
		<content type="html"><![CDATA[I was intrigued by Benjamin Markovits' new novel about Lord Byron's marriage. It's called "A Quiet Adjustment" and it's due out in September from Norton. The press materials say it was inspired by the poet's actual biography and that "Benjamin Markovits reimagines Byron's marriage to the capable, intellectual, and tormented Annabella and the scandal that broke open their lives and riveted the world around them..." Ooh, I thought; sounds intense. <BR><BR>Well, I'm on page 85 and we're still doing the over bred, tea-swilling, Brits-metaphorically-sniffing-each-other's butt thing.&nbsp; "Caroline's air, as she spoke these words, was all solicitude and contrition, but Anabella suspected that, in the largest sense, she was being practiced upon." (p67) Oh heavens, what a sticky situation. Jesus H. Christ, this is about Lord Byron; if someone doesn't bust a nut soon I'm going to throw this book off the balcony.<BR><BR>My frustration with "A Quiet Adjustment" has led me to reconsider my "gotta read it all" theory of book reviewing. Maybe all this breathless dilly-dallying by Markovits is leading to something, but how many pages should a reasonable person invest? I think 100 is fair. Really fair. In the case of "A Quiet Adjustment" really, really fair.<BR><BR>Which brings me to happier news: "What Can I Do When Everything's on Fire?" (out in September, also from Norton) &nbsp;by Portuguese writer Antonio Lobo Antunes had me enthralled by <EM>page three.</EM> It's a heady, "As I Lay Dying"-esque pastiche of indelible images describing and deconstructing the life and death of a transvestite.<BR><BR>Benjamin Markovits, you got me for 15 more pages. Antonio Lobo Antunes, you had me at "Bom Dia."]]></content>
	</entry>
	<entry>
		<title>Preview: "The Summer of Naked Swim Parties" by Jessica Anya Blau</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/20/preview-the-summer-of-naked-swim-parties-by-jessica-anya-blau.aspx" />
		<id>tag:thelitlife.com,2008-06-20:6e457bf6-3c78-42d6-a071-3771762fb9a8</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Previews" />
		<updated>2008-06-20T10:04:19Z</updated>
		<published>2008-06-20T09:19:00Z</published>
		<content type="html"><![CDATA[This is Crap masquerading as Non-Crap, but it's Crap that's aimed squarely at my particular&nbsp;nostalgia/sentimentality weakness, so it's Crap I'm&nbsp;enjoying the hell out of.&nbsp;"Summer" takes place in 1976 Santa Barbara. Our heroine, Jamie, is a&nbsp;hot-bodied but relatively straight-laced fourteen-year-old with&nbsp;nudist parents who&nbsp;smoke&nbsp;pot and&nbsp;have their auras read.&nbsp;Jamie, her girlfriends Tammy and Debby, and Jamie's new surfer boyfriend, Flip, all speak in convincingly authentic teen banalities about music, pizza, brownies and the&nbsp;mechanics of sexuality. Perhaps Blau had in mind a&nbsp;(hardly novel) Big Concept about how the children of libertines end up repressed, but the lack of significant exposition leaves the&nbsp;story to swim along&nbsp;at about the intellectual&nbsp;level of a teenage mind.&nbsp;For instance, Jamie, whose body burned for Flip during the weeks of experimentation but finds the act of intercourse unstimulating, has this&nbsp;deep thought. "Jamie thought it was strange that she felt close enough to&nbsp;Flip to let him touch her body (all over) and to touch his body (all over), yet there was still an awkward formality between them. She had always thought that when people were in love everything was easy, normal, but happier. Like the way things often were when she was hanging out with Tammy and Debbie. But being in love wasn't like that. Jamie often felt like she had to figure things out--how she should act or what she should say."&nbsp;[p147] Uh, yeah. Welcome to the world, Jamie.<BR><BR>But the simple pleasures in "Summer" are&nbsp;copious and precious: the family pool with the faux boulders, the feathered hair on the surfer boys and&nbsp;the oily feel of lip gloss that trapped loose strands of hair and stuck them to&nbsp;a girl's face. And there is a matter-of-fact, Judy-Blume-inspired&nbsp;descriptiveness to&nbsp;sex that retraces exactly the teenage&nbsp;mix of wonder and revulsion at the unveiling of&nbsp;sexual knowledge.<BR><BR>Let me leave you with this&nbsp;post-coital moment from Jamie's first orgasm: "They stood there, bodies suctioned together, as still as&nbsp;the air. Flip's skin smelled&nbsp;musky, like sun-induced sweat, and astringent, like the eucalyptus. The music from the party sounded far away, as if it were music from another town, another era. For the first time, Jamie actually felt connected to Flip and she wondered if that connected feeling was the soul of true love. And then she heard the hooting laughter of her mother, and the gauzy cloud of love cracked open and plunged her back into reality. 'We better check on the trampoline,' Jamie said. 'Make sure everyone's safe.' 'Cool,' Flip said, putting his hand around Jamie's waist as they walked. The song, 'Love Roller Coaster' came on and Flip started bobbing his head like&nbsp;he was dancing. Jamie laughed." [p178]&nbsp;&nbsp;]]></content>
	</entry>
	<entry>
		<title>Screw Nam Le; I'm Reading "Scruples"</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/17/screw-nam-le-im-reading-scruples.aspx" />
		<id>tag:thelitlife.com,2008-06-17:8e11e12d-919a-4cab-8e2a-a50495127e0d</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Lit Crit" />
		<updated>2008-06-17T13:14:00Z</updated>
		<published>2008-06-17T12:42:00Z</published>
		<content type="html"><![CDATA[I was a little slow on the draw getting a copy of "The Boat" by Nam Le; by the time it hit my porch it was on sale everywhere and any chance I had to pitch a review for a paper were gone. But I'm committed to reading the whole story collection: so far; so brilliant. I'm even swallowing my reflexive irritation at the author's Iowa Writer's Workshop pedigree. (An irritation borne, no doubt, from the fact I spent what should have been my own studious young writer days under a barstool instead of honing my craft someplace like Iowa City.) "The Boat", however, is the caboose following good literature out of town for the summer idiot season. Until the fall galleys start arriving for me in mid to late July, I and everyone else will be offered only gimmicky non-fiction and barfy "summer reads" from our Intellectual Tastemakers in the publishing industry. <BR><BR>I've never been one to buy into the concept of "summer reading"; I read serious stuff all year long and comic books all year long. But picture me yesterday standing amid the teeming throngs at the Value Village in Hyattsville, MD: I had just dumped off a load of outgrown children's clothes and was browsing the aisles for the Arc of the Covenant or whatever it is that keeps me roaming thrift stores like a salivating pilgrim. I stood in front of the books and decided to toss a copy of "Mrs. Dalloway" in my cart as well as Russell Means' autobiography for my husband. Then, there it was, written in white calligraphy on a black spine: "Scruples" by Judith Krantz. In my 1970s childhood, this was the secret mom book that daughters would unearth and scour for the dirty parts. (Not my mom, though; she was more of a newspaper-and-bible type back then.) The thought of all those middle-aged, small town and suburban woman reading "Scruples" made me wistful for that era of burgeoning mainstream sexuality when even my hometown theater played X-rated movies for the Saturday late show.<BR><BR>So the question is: With all the things I should be reading, can I sacrifice enough of my precious time to finish almost 500 pages of dreck all for the sake of sentimental camp and irony? I'll make it a challenge to myself every night: A little Nam Lee, a little "Scruples". Which will be the one I can't put down? ]]></content>
	</entry>
	<entry>
		<title>I Have a Porny Name, Don't I?</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/13/i-have-a-porny-name-dont-i.aspx" />
		<id>tag:thelitlife.com,2008-06-13:10673919-8325-43ad-a0df-ba218effe6a4</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-06-13T14:12:44Z</updated>
		<published>2008-06-13T13:49:00Z</published>
		<content type="html"><![CDATA[While browsing new paperback releases, I came upon a book of erotica by someone called <A href="http://www.cheriefeather.com/bio.html">Cherie Feather</A>. Of course, it's not her real name. I'm sure she pronounces it in the semi-corrupted French way "Sha-REE" as I do my own mother-given name. This my-real-name-is-someone's-nom-de-sex issue comes up periodically. I remember a stripper on a talk show saying once, "My real name is (can't remember), but my stage name is Cherie." And then, in David Carr's memoir "The Night of the Gun" (previewed on this blog), he struggles to recall an old stripper girlfriend's name. "Let's just call her "Cherri" he says. (It's nice to know my months as Carr's intern left him with a cheeky pseudonym, at least)<BR><BR>Like most children with unusual names, I feared&nbsp;nonconformity and&nbsp;made everyone call me "Sherry". As I entered my teens, the normal sublimated sexual stirrings as well as my mother's constant urging to "make people call you by your real name" led me to slowly re-introduce the intended exotic pronunciation of my name. By the time I arrived at college, I was Cherie and Cherie only..except when I was out a clubs and met some guy I didn't want to know further. It only took a few turns of hearing "Ooh....<EM>Cherie</EM>...I LIKE that..." to adopt the I-don't-plan-on-talking-long bar name of Mary Ann. I don't mean to belittle the certainty that there exist any number of beguiling and sexpotisish Mary Anns in this world but, for me, "Mary Ann" always functioned as the name equivalent of a tight bun and librarian glasses.<BR><BR>So what name would <EM>I</EM> choose if I wanted a sexy pseudonym? "Cherie" is a diminutive, sweet&nbsp;name; literally a term of endearment. If I were a hooker, I'd go instead with something German that made me sound like a dominatrix: Franke. Or Helga. If you hire a hooker named Helga, you know you are going to meet the whip.<BR><BR>"Helga! Stop! I can't take it!"<BR><BR>Oh, yeah. I'm Helga.]]></content>
	</entry>
	<entry>
		<title>Reviewed: "The Punch" by Noah Hawley</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/13/reviewed-the-punch-by-noah-hawley.aspx" />
		<id>tag:thelitlife.com,2008-06-13:d7e77290-ff77-46cd-87cb-2c7fadc2a660</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Reviews" />
		<updated>2008-06-13T14:28:37Z</updated>
		<published>2008-06-13T09:25:00Z</published>
		<content type="html"><![CDATA[After finishing "The Punch", I really don't have much to add to my earlier preview. It is indeed tightly written with some lovely prose flourishes. The gradual unfolding of the climax is satisfying, but the novel's central premise--an aging father's death derails two brothers&nbsp;in their thirties--is taken at face value to be an tragedy of Shakespearian or Greek myth-like dimensions. Hawley never convinces us that this particular life event warrants the over-dramatic reactions of the main characters.]]></content>
	</entry>
	<entry>
		<title>Some Titty Talk on a Hot Summer Day</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/08/some-titty-talk-on-a-hot-summer-day.aspx" />
		<id>tag:thelitlife.com,2008-06-08:b35b55b5-7905-45dc-936d-8542171c37fc</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-06-08T17:08:05Z</updated>
		<published>2008-06-08T16:26:00Z</published>
		<content type="html"><![CDATA[I'm done breastfeeding for my second and last child, and for life. It's been about eight months since I've weaned my little boy and my body has moved into its middle age form: small and lean with all softness removed by exertion; sharp edges at the jaw and clavicle; and breasts nearly flat against my ribcage.&nbsp;This is the first summer since probably my thirteenth when I haven't had to wear a bra with sundresses and spaghetti-string tops. I feel naked and empty across the chest but also strangely free. In the flowing cotton appropriate for&nbsp;a DC summer day, I'm unbound and weightless. It should feel unwomanly, this loss of mammary fat, but oddly it feels like a revelation into the essence of femininity. My heart is closer to the world, uncovered, radiating out from my breastbone. I'm not just mothering one child with nutrients, I'm free to nurture anyone who needs it with the warmth&nbsp;and compassion of my newly-exposed heart.<BR><BR>Did I mention I'm high as a kite on Claritin-D? (see my earlier post "I'm High on Life...and Apparently the Main Component in Meth" to review how cold medicine&nbsp;nuke-bombs my sober brain cells)<BR><BR>I just played the only music which befits my earth mother mood as I flit around: song after song after song by Earth, Wind &amp; Fire.&nbsp;Have you ever listened to "Getaway"? I mean REALLY listened to it? I used to think it was a whimsical love song, but today the&nbsp;lyrics sound starkly different from "Two Tickets to Paradise" or "Island Girl" or the other escapist love songs from the radio of my youth. "Take me by the hand, let's leave this troubled land"? That doesn't really sound like a weekend jaunt to Cancun, does it? Is it&nbsp;Romeo and&nbsp;Juliet-inspired suicide mysticism like "Don't Fear the Reaper"? Is it, instead, a post-civil rights back-to-Africa call? I've listened to it five times now and am haunted that, all these years, Maurice White and Phillip Bailey have been trying to communicate something&nbsp;of&nbsp;ethereal meaning&nbsp;or chilling depth and, for three decades, I've missed it.<BR><BR>Are you following this? Because, at this moment, it seems like the most important idea in the world. But I'm not in my right mind. Tomorrow the sarcasm and fatalism will likely&nbsp;roost back inside me like a rain-slicked crow.<BR><BR>Ah, transcendence; its become so rare in my decade of sobriety. ]]></content>
	</entry>
	<entry>
		<title>Race and the City--Part One</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/06/race-and-the-city.aspx" />
		<id>tag:thelitlife.com,2008-06-06:62d1d987-f735-46d3-b1ac-4335a8640598</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Memoir" />
		<updated>2008-06-06T20:43:11Z</updated>
		<published>2008-06-06T09:54:00Z</published>
		<content type="html"><![CDATA[<P>When I moved to DC a year and a half ago a friend who has family here and knows the area well said she would be interested to hear how I would interpret the differences between DC and Minneapolis. She specifically wondered how I'd react to the racial differences. </P>
<P>I wondered myself. I've lived in a variety of racially-mixed and minority-white areas of Minneapolis over the past twenty years, but I knew Chocolate City would be different. We chose the Adams Morgan neighborhood; my husband had lived here years ago and correctly predicted it would contain the racial mix and urban amenities that feel most comfortable to us. It didn't take long for me to surmise that Adams Morgan, much like the Whittier neighborhood in Minneapolis, sits upon a fault line between majority-white and majority-black neighborhoods. A city is a city, right? Just mind your manners, roll up the windows when you are playing Buck Owens, and try not to comport yourself like an entitled white prick. But there were immediate challenges this ultra-liberal Midwesterner was not prepared for far beyond closeting the remainders of my small-town upbringing.</P>
<P>The first challenge was a direct sucker-punch to my liberal white fear-of-exploitation guilt: turns out black women work at Starbucks here; lots of black women; almost every Starbucks. Barring black punks and lesbians at lesbian coffee shops, I'd never had my overpriced, sign-of-the-white-devil lattes made by a black woman. "She must hate me," I'd think, "this is one of the most obnoxious white habits and she has to make it for me." I realized how infrequently I'd been served by a black person in Minnesota. When she'd say, "Is that all?" I'd hear, "Why don't you make your own overpriced coffee you lazy yuppie." To be sure, neither my husband nor I feel comfortable paying a person of a different race to do a personal service; it just seems demeaning. I don't get pedicures, my husband polishes his own shoes. Though it's really not logical--patronizing a minority business is certainly not exploitation--we both experience an irrational queasiness imaging a black man or Asian woman bent over our feet while we read the paper. </P>
<P>I soon realized DC contains an enormous and stable population of black people and a much more transient population of white professionals. So guess what? There are&nbsp;a lot of jobs to be had&nbsp;serving coffee to white&nbsp;geeks. And, a Starbucks run and staffed&nbsp;by black people turns out to be&nbsp;refreshingly devoid of corporate&nbsp;bullshit; just people punching the&nbsp;clock and making the coffee and treating customers with casual politeness.&nbsp;</P>
<P>Oh yes, the manners... As I've mentioned often, I grew up in a small town in Minnesota. I cannot pass someone on a sidewalk without smiling or saying hello. I can't turn down a request for spare change without saying "Sorry." And I'm comforted by the small talk of strangers. Black people in DC seems to share these characteristics more than the busy-busy-watch-out-I'm-so-important social intercourse of the white people here. I'm so much&nbsp;at ease&nbsp;with the desultory "How you doing?" "All right, how you doing?" day-to-day interchanges common wtih&nbsp;black people in this city than the blank-eyed, pretend-not-to-see of the whites. I talk to the black garbagemen ("Nice day, huh?" etc) who serve my building more often than the white couple that shares a wall with us. </P>
<P>Racial paradise in DC? Hardly. Consider Adams Morgan an armed truce. Just to the&nbsp;east of us, the neighborhood of Columbia Heights is experiencing a gentrification push of monumental proporations. And we're getting priced out of Adams Morgan so we are considering moving to Columbia Heights. Part&nbsp;two of "Race and&nbsp;the City" will discuss whether or not white people have a right to live where ever they want and whether the&nbsp;tales of random nut-punchings of white guys by black teens&nbsp;on Clifton Street are enough to make us pitch our tent amid the granola fields in Takoma Park.&nbsp;</P>]]></content>
	</entry>
	<entry>
		<title>A Blow-Up Doll With No Orifice Isn't a Sex Toy</title>
		<link rel="alternate" href="http://thelitlife.com/2008/06/03/a-blowup-doll-with-no-orifice-isnt-a-sex-toy.aspx" />
		<id>tag:thelitlife.com,2008-06-03:b98d8302-24df-48d6-985f-f3895b309e47</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Events" />
		<updated>2008-06-03T22:51:00Z</updated>
		<published>2008-06-03T22:23:00Z</published>
		<content type="html"><![CDATA[The Avalon Theater in DC tonight was giddy with&nbsp;a "he's so diiiirty" mystique as the audience awaited the entrance of author Chuck Palahniuk.&nbsp;After a decade of being a cult hero, legends proceed the&nbsp;writer's appearance: it's said that people faint whenever he reads the particularly graphic story "Guts"; there's his obsession with scatological prose and his new book set in the porn industry; there's talk that his fans are freaked-out fanatics. <BR><BR>But, aside from a few moments of affected outrageousness (I'll get to those in a moment), the heavily-promoted and anticipated "event" was nothing so much as a reading and occasionally thought-provoking Q and A. No one swooned, or rent their garments, or sprayed the proceedings with pigs' blood. Liam, my buddy from the bookstore, and I were both struck that Palahniuk and everyone in the audience seemed to be atwitter with an aura of lawless literary anarchy, but that the aura seemed to have somewhere become disconnected from its source. He read an unpublished story about a frat boy competing on "The Price is Right" on LSD&nbsp;and told some second-hand stories about dismemberment and bodily fluids, but nothing felt <EM>shocking. </EM>Perhaps Palahniuk is stuck inside a paradox: His reputation is all about what-wild-thing-will-he-write-or-say-next that no matter what he writes or says, the anticipation of a promised&nbsp;blasphemous jolt&nbsp;will always make the actual utterance seem a little tame and disappointing.<BR><BR>And the moments of affected outrageousness I mentioned? To tie into the porno theme of his new book, "Snuff", Palahniuk and event staff from Olsson's Books threw blow-up sex dolls into the audience and had inflation races (The winners got copies of "Knockemstiff" by Donald Ray Pollack, a book reviewed on this site). Liam caught one of the dolls and we examined it. It's signed and dated by Palahniuk. But it doesn't have any holes. Aren't sex dolls supposed to have holes? Or the male dolls have dicks? We realized these were just promotional tools, replicas of sex dolls to be taken home and displayed for a few weeks, then shoved in a closet.<BR>&nbsp;<BR>Useless, mass-produced book-tour swag; how outrageous is that?]]></content>
	</entry>
	<entry>
		<title>Reviewed: Lady Lazarus by Andrew Foster Altschul</title>
		<link rel="alternate" href="http://thelitlife.com/2008/05/30/reviewed-lady-lazarus-by-andrew-foster-altschul.aspx" />
		<id>tag:thelitlife.com,2008-05-30:cf414092-e412-44ed-8cd5-9eaa71b87c67</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Reviews" />
		<updated>2008-06-04T11:21:29Z</updated>
		<published>2008-05-30T20:43:00Z</published>
		<content type="html"><![CDATA[How big a deal is it that I wrote an entire review of this book without realizing the title and a bunch of nonsense about beekeeping was actually a reference to Sylvia Plath? (See astute comment from Amy on "Memorial Weekend Book Review Wrap-Up. She was kinder to me than I deserved for missing that elephant in the cabana)Pretty goddamn big if you ask me. But, had I known while I read&nbsp;"Lady Lazarus"&nbsp;that the main character was based on Plath as well as Frances Bean Cobain, would it have made a light go on in my head and the whole jumble seem like any less of a lit-boy jackoff? Nope.<BR><BR>Here's <A href="http://www.startribune.com/entertainment/books/19187159.html?location_refer=Books">my review</A>&nbsp;of Lady Lazarus for the Star Tribune.]]></content>
	</entry>
	<entry>
		<title>How to Keep Peace Like a River With Your Librarian</title>
		<link rel="alternate" href="http://thelitlife.com/2008/05/28/how-to-keep-peace-like-a-river-with-your-librarian.aspx" />
		<id>tag:thelitlife.com,2008-05-28:417acd11-7aaa-4e8a-8ae8-dce92847c09a</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Living La Vida Lit" />
		<updated>2008-05-28T07:37:45Z</updated>
		<published>2008-05-28T07:08:00Z</published>
		<content type="html"><![CDATA["Listen," I told the guy at the counter of DC's Cleveland Park Library, "I told you, I brought that book back months ago." It was something called "Baby Shapes" or "Counting With Curious George" or "Madeline Learns Class Consciousness" or something. I'd done the usual through-the-shelves check of kid books at home; it wasn't there. Since moving here to the District of No State, No County, No Accountability for City Services, I've developed the Socialist Minnesota Swede's sniff-and-eyebrow-raise response to all interactions with the DC government. They'd lost a kid's book? Not a surprise; half the times I'd brought books back they'd tell me to drop them in the big pile on the counter and move on...the computer was down. <BR><BR>Skinny Glasses Guy mumbled tersely, "I'll take care of it."<BR><BR>"I don't mind paying to replace the book," I went on imperiously, "I want the library to have the book <EM>no matter who lost it. </EM>But I don't think I should have to pay the fine."<BR><BR>"I said," he growled through closed teeth, "I'll take care of it."<BR><BR>Oh my. <BR><BR>So, of course, I found the book when I was moving furniture, it's little, square, primary-colored, board pages wedged under my desk. There were several ways to handle it, depending upon my ability to eat crow (not usually something I have a voracious apatite for). I could walk in, slap it on the counter, own up to my stupidity, and apologize. I could also take the exact opposite course: peel off the library sticker and put it on our own bookshelf for ever (they had likely already replaced it). But instead of either of those extremes, I took my usual stroll right down the wussy middle: I casually dropped it off with a pile of on-time returns, said nothing, and went about my business. <BR><BR>Now, I'm at that library every week. My family needs a steady supply of kindergarten books in Spanish, toddler books about trucks, and graphic novels (called "Mommy Comic Books" to keep six-year-olds from accidentally seeing Joe Sacco's Bosnian War drawings while looking for Spiderman). When I've had to deal with any of the women that work behind the counter, I'm confident they don't know what an ass I truly am. But when I see Skinny Glasses Guy, his inability to look me in the face and his trembling hands make me think he's been bitching about me in the back office and is struggling--with a librarians shyness--to get through an awkward transaction with grace.<BR><BR>Yesterday I stopped in the get Leif Enger's "Peace Like a River". I wanted to finally read that Minnesotans first novel before cracking into his new one. Skinny Glasses Guy had the usual shaking hands, but he had a little grin on his face. "This one never goes out," he said. "Now it's gone out twice this week." <BR><BR>I thought it would be more popular; at the bookstore people regularly asked after it. I said, "Well, he has a new novel out. Makes people interested in the first."<BR><BR>He kept grinning, as my late father would have said, "like a cat eating shit". He mumbled something about the author looking like someone. I opened up the book jacket and said out loud, "Oh. My. God." Leif Enger is a dead ringer for Skinny Glasses Guy...give or take fifteen years. <BR><BR>As I looked at Skinny Glasses Guy I realized he hadn't been nervous to deal with me because I'd been wrong about the book and he probably hadn't even been mad at me; he's just a nervous geek who looks like a semi-famous author. That's a relief.<BR><BR>I think.]]></content>
	</entry>
	<entry>
		<title>Memorial Weekend Book Review Wrap-Up</title>
		<link rel="alternate" href="http://thelitlife.com/2008/05/23/memorial-weekend-book-review-wrapup.aspx" />
		<id>tag:thelitlife.com,2008-05-23:73bfdf20-70f8-4a75-8ddc-1af544a371b1</id>
		<author>
			<name>Cherie Parker</name>
		</author>
		<category term="Book Reviews" />
		<updated>2008-05-26T22:18:24Z</updated>
		<published>2008-05-23T13:29:00Z</published>
		<content type="html"><![CDATA[It's come to my attention I've been posting a lot of tidbits about new books without real recommendations, so here's a list (in no particular order) of currently available books for anyone who finds themselves at the bookstore this weekend:<BR><BR>1. "Outlander" by Gil Adamson--A good engrossing read about a woman gone crazy in the Canadian wilderness. Well-written, but I didn't personally love it.<BR><BR>2. "Knockemstiff" by Donald Ray Pollock--Dark, disturbing, twisted look at small town life. Brilliant, if you can stomach it.<BR><BR>3. "Snuff" by Chuck Palahniuk--More tightly focused than the usual Palahniuk. A must read for Palahniuk fans (you crazy muthafuckers) and a good (but patently filthy) entry into his oeuvre for others who haven't tried him yet.<BR><BR>4. "Plague of Doves" by Louise Erdrich--The usual ethereal brilliance from Minnesota's First Lady of Letters. <BR><BR>5. "Lady Lazarus" by Andrew Foster Altschul--An overly long and occasionally irritating--but wise and witty--look at popular culture. Would be of most interest to alt-music types from my generation (X, if you hadn't guessed).<BR><BR>Two-fer ideas for people who want to spend the long weekend in bed with coffee:<BR><BR>1. "Drown" and "The Brief Wondrous Life of Oscar Wao" by Junot Diaz--Immerse yourself in Diaz' short story collection before undertaking the more challenging--and Pulitzer-winning--novel. <BR><BR>2. "Peace Like a River" and "So Brave, Young and Handsome" by Leif Enger--This is the next two-fer on my list. I never gotten around to reading fellow Minnesotan Enger's "Peace Like a River" so, now that his new novel is out, it gives me the opportunity to immerse myself in the work.]]></content>
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